J Dilla Pay Jay Unreleased Mca Album 2008 Zip __LINK__






J Dilla’s Lost Album: Pay Jay Unreleased MCA Album 2008 Zip

If you are a fan of J Dilla, you might have heard of his unreleased album Pay Jay, which he recorded for MCA Records in 2002. The album was supposed to showcase Dilla’s skills on the microphone, with him rapping over beats by some of his favorite producers, such as Kanye West, Pete Rock, Hi-Tek, and Nottz. However, due to label issues and Dilla’s untimely death in 2006, the album never saw the light of day officially.

That is, until 2008, when a bootleg version of the album leaked online in zip format. The zip file contained 12 tracks, some of which were unfinished or had poor sound quality. Nevertheless, the leak was a treasure for Dilla fans, who finally got to hear some of his rare and unreleased music. The album featured guest appearances by Bilal, Frank-N-Dank, Nottz, Boogieman, and Guilty Simpson.

In this article, we will take a closer look at some of the tracks from Pay Jay Unreleased MCA Album 2008 Zip and explore why they are worth listening to.

Diamonds (Produced by Nottz)

The album starts with a bang with Diamonds, a track produced by Nottz, who also worked with Dilla on his classic album Welcome 2 Detroit. The beat is smooth and mellow, with a soulful sample and crisp drums. Dilla raps about his love for jewelry and women, with lines like “It’s so ugly when the ice lit/You with me, the feeling is priceless”. He also pays homage to his hometown Detroit and his crew Slum Village. The track is a great introduction to Dilla’s rap style, which is laid-back but confident.

We F’d Up feat. Frank-N-Dank (Produced by Kanye West)

The second track features Dilla’s longtime friends and collaborators Frank-N-Dank, who also appeared on his albums Fantastic Vol. 2 and Champion Sound. The beat is produced by Kanye West, who was still an upcoming producer at the time. The beat hits hard, with a catchy horn sample and heavy bass. The lyrics are about partying and getting wasted, with a catchy chorus that goes “Chicago, Philly, San Diego, we F’d up!”. The track is not very lyrical, but it has a fun and energetic vibe that makes it suitable for a club or a party.

Fuck The Police (Produced by J. Dilla)

One of the most famous tracks from Pay Jay is Fuck The Police, which was produced by J. Dilla himself. The track is a classic example of Dilla’s signature style, with a hard-hitting drum loop, a funky bass line, and a catchy vocal sample. The track is also a powerful statement against police brutality and corruption, with Dilla rapping from the perspective of a victim of police harassment and violence. He delivers lines like “And see now we got these fake cops/’I thought he had a gun, I made a mistake’ cops/I hate cops” and “They pull me over and I laugh/Here comes Rodney King’s autograph”. The track is a timeless anthem for anyone who has ever felt oppressed or mistreated by the law.

Remember feat. Bilal (Produced by Pete Rock)

A more personal and emotional track from Pay Jay is Remember, which features the soulful vocals of Bilal and the smooth production of Pete Rock. The track is essentially a letter to Dilla’s ex-girlfriend, who left him for another man. Dilla raps about how he still loves her and how he regrets losing her, with lines like “Remember me? Take a look baby/Yes, this your ex, he off the hook, ain’t he?” and “I know you’re happy now/But I’m still down/And I can’t get over you”. Bilal sings the chorus, which goes “Remember when we used to be in love/Now all we do is fuss and fight”. The track is a heartfelt and honest expression of Dilla’s feelings, which shows his vulnerability and sincerity.

Fight Club feat. Nottz & Boogieman (Produced by Waajeed)

The fifth track on Pay Jay is Fight Club, which features Nottz and Boogieman, two fellow rappers and producers who have worked with Dilla on several projects. The beat is produced by Waajeed, who is also a member of the Detroit collective Platinum Pied Pipers. The beat has a gritty and dark feel to it, with a distorted guitar riff and a menacing bass line. The lyrics are about being ready for a brawl, with lines like “We came to fight, we came to brawl/We came to get it on till the break of dawn”. The chorus is simple but catchy, with a repeated phrase of “up in the club”. The track is a hard-hitting and aggressive song that showcases Dilla’s versatility and charisma.

Creepin’ On You (Produced by Hi-Tek)

The sixth track on Pay Jay is Creepin’ On You, which is produced by Hi-Tek, who is best known for his work with Talib Kweli and Mos Def. The beat is smooth and soulful, with a jazzy piano sample and a groovy drum pattern. The lyrics are about Dilla’s sexual escapades, with lines like “I’m down with OPP, yeah you know me/I’m not a player I just crush a lot” and “There’s nothing left to do but send her home to you/I’m through…till the next time we screw”. The track is a playful and humorous song that shows Dilla’s confidence and charm.

Conclusion

Pay Jay Unreleased MCA Album 2008 Zip is a rare and valuable piece of music history that showcases J Dilla’s talent and versatility as a rapper and a producer. The album features some of his best work, as well as collaborations with some of his favorite artists. The album is a testament to Dilla’s legacy and influence, and a treat for his fans who have been waiting for years to hear it. If you are a fan of J Dilla, or hip-hop in general, you should definitely check out Pay Jay Unreleased MCA Album 2008 Zip.


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